{"id":9732,"date":"2025-11-05T08:52:08","date_gmt":"2025-11-05T08:52:08","guid":{"rendered":"http:\/\/www.editris2000.it\/?post_type=product&#038;p=9732"},"modified":"2025-11-05T09:02:49","modified_gmt":"2025-11-05T09:02:49","slug":"a-strange-custom","status":"publish","type":"product","link":"https:\/\/www.editris2000.it\/?product=a-strange-custom","title":{"rendered":"A Strange Custom"},"content":{"rendered":"<p><strong>Indice<\/strong><\/p>\n<p>-Introduction<br \/>\n<em>Silvano Montaldo, Cristina Cilli<\/em><\/p>\n<p>-\u201cThe Primitive Ornament\u201d. Debates and Collecting in the Birth of Criminology<br \/>\n<em>Silvano Montaldo<\/em><\/p>\n<p>-The Collection of the Cesare Lombroso Museum of Criminal Anthropology<br \/>\n<em>Cristina Cilli, Ilaria Serati<\/em><\/p>\n<p>-Fragments of Dark Lives<br \/>\n<em>Cristina Stalteri<\/em><\/p>\n<p>-The Zouave, the Bandit, and the Brothel Servant. Female Tattoos and the Lombrosian Archive<br \/>\n<em>Alessio Petrizzo<\/em><\/p>\n<p>-The TAZEBAO Project<br \/>\n<em>Davide Borra<\/em><\/p>\n<p>-The 3D Installation for the Tattoo Collection<br \/>\n<em>Riccardo Gagliarducci, Luca Porru, Riccardo Covino<\/em><\/p>\n<p>-The Tattoo Collection of Cesare Lombroso. Legal Profiles between Digitisation and Permanent Museum Installations<br \/>\n<em>Roberto Cavallo Perin, Francesca Paruzzo<\/em><\/p>\n<p>-The Goddess Fortuna and Tattooing in the Mediterranean<br \/>\n<em>Silvano Montaldo, Cristina Stalteri<\/em><\/p>\n<p>-Bibliography<\/p>\n<p>-Index<\/p>\n<p>-Author Biographies<\/p>\n<p>&nbsp;<\/p>\n<p>[vc_separator type=&#8221;transparent&#8221; up=&#8221;20&#8243;]<\/p>\n<p>Before punks and skinheads, before American pachucos and Parisian apaches, there were Emilio, Ciro, Alexandre, Jean, Giovanni, Francesco and many others. They were not members of a youth movement, but their criminal records and tattoos drew the attention of Cesare Lombroso (1835\u20131909). The Italian criminologist had their portraits drawn, interviewed them about the meanings of the designs on their skin, and recorded notes about their meandering lives. Lombroso was looking for visible signs of abnormality and believed he had found them in the tattoos. Through the lens of nineteenth-century criminal anthropology, this provides us with an exceptional record of the emergence of one of today\u2019s most widespread forms of personal expression, to which this catalogue and a new 3D installation in the Lombroso Museum\u2019s exhibition itinerary are dedicated.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<h5>The Lombroso Museum Tattoos<\/h5>\n<p><em>A cura di:<\/em> Silvano Montaldo<\/p>\n<p>Committente: Cesare Lombroso Museum of Criminal Anthropology (UNITO)<\/p>\n<p>136 pagine<br \/>\nformato 21&#215;27 cm, dorso 10 mm<br \/>\ncopertina morbida<br \/>\nlingua: inglese<\/p>\n<p>[vc_separator type=&#8221;transparent&#8221; up=&#8221;2&#8243;]<\/p>\n<p>\u00a9 2025 Editris Duemila snc, Torino<br \/>\nISBN-9788889853894<\/p>\n","protected":false},"featured_media":9722,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_cat":[53],"product_tag":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.9 - 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